Category: Drawing/Image
-
I am interested in the sensate nature and social interiorities that are surfacing through drawing.
-
Landscape : Entanglements of Affect/Aesthetics The site is not simply a place to be remembered, but a surface through which buried relations continue to surface. This post is materially centred on pinhole photography, the archaeological site, contour lines, land drawing and remote sensing. The Morn Hill site is encountered through photographic and diagrammatic means rather…
-
Research collages, using texts, handwriting, diagrams, alternative photographic processes with which to explore and document spatial possibilities. Year2011-2024 MediumCollage The Unfolded Garment Landscape, asperity/kinship/collage/photogram. Embracing Subjectivity Pierced Assemblage on Photogram What is Philosophy? Gilles Deleuze, Felix Guattari Their book is a profound and careful interrogation of what it might mean to be a ‘friend of…
-
Movement and Attention in Art: The Work of Russell MoretonFocusing on the artist’s name and conceptual themes adds a personal touch, improving search relevance for both the artist’s portfolio and discussions on movement in art. Anthropological, Art Based, Speculative Social Inquiry. Space For Peace, Winchester Cathedral. 2011 Cyanotype painting from a gathered site drawing, mapping…
-
Seeing Dark Things : Chemical Photography/Images from the darkroom. Re-entering / 2026 — The darkroom now feels close to the kiln: both are chambers of withdrawal in which encounters disappear from immediate view and return materially transformed. Or, more tentatively: Perhaps the darkroom was already a chamber of correspondence. Darkness did not conceal the…
-
The body is not encountered here as a fixed figure but as a field of relations. Looking, drawing, surface and movement begin to unsettle the separation between the body that is seen and the body that sees. The life drawing becomes a threshold where eye, hand, paper, space and flesh enter an uncertain correspondence. What…
-
The creative act moves between what can be organised and what remains open. The poetic and the systematic are not necessarily opposites but different intensities of attention. Drawing becomes a place where gesture, structure, rhythm and intuition can meet, allowing thought to move before it becomes resolved. Perhaps creativity begins here—not with an idea imposed…
-
Drawing Into the Human Form / The Architectural Body Drawing becomes a way of moving between bodies. The human body and the architectural body are not fixed forms but spaces of relation, scale, movement and inhabitation. Through drawing, gesture and trace, one body begins to enter another. The image becomes less a representation of space…
-
Looking becomes sensation when the body can no longer be separated from the surface through which it is encountered. Line, volume, skin and gesture begin to occupy the same unstable field. The drawn body is not simply represented; it is sensed through the movement of the mark. The vessel enters this correspondence almost bodily, carrying…
-
The body begins to disappear into the space around it. Drawing no longer holds figure and ground securely apart; light, gesture, surface and movement begin to pass between them. The body becomes something sensed through its surroundings, while space acquires the traces of bodily presence. Luminescence is therefore not simply light upon a figure. It…
