Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

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about

Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

Espace-Milieu : Painting/Wayfaring as Organism~Environment.

Movement and Attention in Art: The Work of Russell Moreton
Focusing on the artist’s name and conceptual themes adds a personal touch, improving search relevance for both the artist’s portfolio and discussions on movement in art.

Anthropological, Art Based, Speculative Social Inquiry.

Space For Peace, Winchester Cathedral. 2011 Cyanotype painting from a gathered site drawing, mapping participants within the architectural interior of Winchester Cathedral.

Living Architectures/Wayfaring.

Environments formed/experienced through Movement and Attention. Lines. Tim Ingold.

russellmoreton.blogspot.com

AI Overview

This image is a work of art by Russell Moreton, titled Aerial~Espace-Milieu : Affective Processual Experiences.

The work is a processual site-based drawing developed through the cyanotype process.

It was created from an event called ‘Space for Peace : Espace-Milieu’.

The artist explores the exhibition theme of ‘Water’ as both a spiritual and corporeal inquiry for site-specific artworks.

The artist uses specific media such as photo maps, sensitized through the cyanotype method, and allows them to interact with the environment, such as ice as it changes state, to create the final image.

Year

2011

Medium

Cyanotype

Size

580mmL x 430mmh

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