To consider time you have to wrench it apart from space and matter.
Ian McEwan
The Child in Time
Russell Moreton : Matter(s) in Correspondence
Spatial practices of clay, ceramic, drawing, bodies, places and making.
Spatial Practice
Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.
Ceramic Bodies
Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.
Drawing / Image
Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.
Interiority / Atmosphere
Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.
Making / Materiality
Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.
Research / Working Texts
Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.
recent posts
- The Ceramic Body is an actively Attentively~Troubling Permeable Chamber.
- Gathering Towards A Futurity through Clay : Collage Workings to Ceramic Bodies
- CLAY: Thinking Architecture/Exploratory Research/Vocabulary
- A Hut within Matter(s) of Space~Surfacing
- Enchantment and Sites of Sensual Engagement : Periphery/Boundaries and their limits.
about
Making is the production of relations through material events.
What I think is emerging is an ontology of making.
The clay isn’t the subject.
The object isn’t the outcome.
Even process isn’t the central concern.
The central concern is relation.
Relation between body and matter.
Relation between force and resistance.
Relation between object and space.
Relation between time and form.
Relation between making and knowing.
Visual artist working in the UK.
UCA Farnham, Interior Design MA.
Canterbury School of Architecture, Spatial Practices MA.
University of Southampton, Visual Fine Art BA hons.
Epsom School of Art and Design, Ceramics HSND.
Russell Moreton : Matter(s) in Correspondence 
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