Substance and Trace: Humanity of a child., a photo by Russell Moreton on Flickr.

Amelia, hybrid painting with traces.

Material at the Yard,Winchester 24.11.2010., a photo by Russell Moreton on Flickr.

Studio Space: Collage and Paintings.

Myth and material around the "human condition", a photo by Russell Moreton on Flickr.

Impressions of a body in clay with mythical material from Pliny, Daughter of Butades.

Collecting "slow-time" through light, a photo by Russell Moreton on Flickr.

Light gathering apparatus with clock. “10 Days in the Laundry ” Winchester 2009.

pinhole camera, beer can., a photo by Russell Moreton on Flickr.

Meditations on temporal phenomena, the deconstruction of time.

Layered drawing, a photo by Russell Moreton on Flickr.

Creative Practices; Art and Science 2010.

DSC_4709a Vacuity: Space and Surface., a photo by Russell Moreton on Flickr.

“When Orpheus descends to Eurydice, art is the power that causes the night to open. Because of the power of art, the night welcomes him; it becomes the welcoming intimacy , the understanding and the harmony of the first night. But Orpheus has gone down to Eurydice: for him, Eurydice is the limit of what art can attain; concealed behind a name and covered by a veil. she is the profoundly dark point towards which art, desire, death, and the night all seem to lead. She is the instant in which the essence of the night approaches as the other night.”
— The Gaze of Orpheus: Maurice Blanchot.