Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

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Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

Experimental Vision : Research Collage #1

Experimental Vision : Research Collage #1

Body, Personal Relations, and Spatial Values.
Composition, Concept, Object.

Space is an abstract term for a complex set of ideas.

The photogram is the immediate result of a constellation of light, three-dimensional object and photosensitive material.

Experimental Vision
FROM BEYOND VISION
Photograms
Flouris M. Neusus

Work in the light laboratory was a standard part of the curriculum.

The photogram became a functional element of a personal time curve, allowing the artist to continually endeavour to see or put phenomena into new relations.

Moholy-Nagy and the Chicago Bauhaus
Thomas Barrow

THE COLOUR OF TIME
Garry Fabian Miller

The Majesty of Darkness
Adam Nicolson

The Unmade
The Pregnant
The Half Erotically Unmade

ADYNATA- Time’s Colour, impossible Beauty
Marina Warner

TIME AND LIGHT
Nigel Warburton

TRACING LIGHT
David Alan Mellor
Garry Fabian Miller

Derrida
Blindness
Butades
Trace and Trait

Karl Blossfeldt
WORKING COLLAGES

 

Relationscapes : Open Systems/Speculative,Dynamic, Creative. An assemblage/energy of images,collage, drawing and texts and other disparate elements.

Source: Experimental Vision : Research Collage #1

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