Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

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Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

Beaufort 04

Beaufort 04.

MARCO CASAGRANDE

Sandworm

Beach Wenduine, by Chalet West-Hinder
De Haan – Wenduine  
“Designing is not sufficient. Design should not replace reality. The building must grow out of the location; it must react to its environment, it must be a reflection of life and also be itself, as every other living being. Architectural control goes against nature and thus also against architecture. The built human environment is a mediator between human nature and nature itself. To be part of this, man must be weak.”The work of Marco Casagrande is on the cusp between architecture and visual art. His work pays witness to a continuing interaction between work and environment: there is not a single building of his that is not searching for the questions thrown up by the immediate surroundings. For Beaufort04 Casagrande has created a fifty-metre long Sandworm, which stretches out between the dunes like an enormous wooden worm. The holes in the tunnel invite the visitors to come along too.

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