P5220017 Architectural Abstract : Glass and Light., a photo by Russell Moreton on Flickr.

Reclaimed images from inside a camera obscura ( Kilquhanity 2011) via the cyanotype process.

Document (228) In the water., a photo by Russell Moreton on Flickr.

In Defence of Sensuality : John Cowper Powys 1930.

Foreword.

The author feels that perhaps some explanation is due to the reader for the rather unusual employment of the word “Sensuality” which serves as the title of this work. The advantage given to the author by the use of this particular expression is that it enables him to proceed from rock-bottom upwards as far as he likes. A more refined title would have cut him off, in his method of developing his idea, from the physical roots of existence; for while it is easy to indicate the overtones and undertones of Sensuality it would be hard to bring a gentle, vague word, like the word “sensuousness” down to the bare, stark, stoically-stripped Life-Sensation which is the subject of this book.

J.C.P.

Dedicated to the memory of that great
and much-abused man

Jean-Jacques Rousseau

Anthropology and Art : Leg tattoos, body markings and spatial ( star) coordinates., a photo by Russell Moreton on Flickr.

Human trace drawing annotated by astronomical data, drawing frame with string as used in recording archaeological finds. Cyanotype process used to register the presence and absence of material (seed heads) and sun light (UV radiation).

Pierced drawing marking the placement and movement of people during the “Space for Peace” event hosted in Winchester Cathedral.

via Russell Moreton : Spatial Practices..

Collaged Spaces/overlapping spaces #2, a photo by Russell Moreton on Flickr.

Art based installation of a private studio space (18 century Granary) superimosed into a busy reception area of an educational institution.
Once installed this “working space” adapted to the physical conditions of its host and then began to become permeable with its “users” through using public space (encounters/dialogues) and the technologies at hand ( digital projector and communal computer terminals with web access).

Embodiment in clay and space., a photo by Russell Moreton on Flickr.

Sculpture between process as an architectural (spatial and scale) inquiry.

Sculpture from life-class awaiting plaster waste mould, recast in reinforced concrete.