Category: Uncategorized
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As part of my residency I undertook to turn the space of a pottery into a “Camera (room) Obscura”. In this space I exposed directly the view gathered from “outside” onto photographic paper as a collage of interwoven documents. The cyanotype printing process was employed in field-studies using the sun to recording the movement of…
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Non Space 2008 (installation) – artreview.com.
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Dark Session’s : Shadowy speculations in the pottery. Kilquhanity 2011 – artreview.com. http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?xn_version=3150304127 Find more artworks like this on artreview.com Silver gelatin prints from a “room obscura” set up at Kilquhanity, Scotland 2011 as part of “Back to Free school, Drawing out the Archive”.
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Drawings executed using field chalk and rust residues from obsolete iron car parts. Human form traced and referenced directly from life with a continuous drawn line. Working methods reflect an inquiry into the origins of painting through the myth, The Daughter of Butades. via Russell Moreton : Spatial Practices.: Artists studio exhibition 2007.Trace and indexical…
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17 May 2007 Body/Landscape 12-19 July 2007 Basque Country France Intensive 8-day dance workshop with Frank van de Ven in the South of France. Headquarters will be in the village of Macaye, situated at the foot of the Pyrenees Mountains on the French side of Basque Country. A stunning landscape rich with wild life and…
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Russell Moreton : Spatial Practices..
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A Short History of Myth: Karen Armstrong. ” The history of myth is the history of humanity; our stories and beliefs, our curiosity and attempts to understand the world, link us to our ancestors and each other.” via Russell Moreton : Spatial Practices.: Amongst lightness and the reverberation of material..
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Cyanotype, Blueprint for construction of kilns 1986, a photo by Russell Moreton on Flickr. Recent cyanotype impression taken from original paper plans drawn in 1986.
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Cyanotype, Kiln Workings 1986, a photo by Russell Moreton on Flickr. Experimental kilns on lifting gantries, used to produce a range of slab and thrown built forms intended for applications in contemporary lighting and architectural ceramics.
