Spatial Practices : Experimental drawing and alternative photography.
recent posts
- Spatial/Diffractive Bodies Situated in Place : Matters of Fidelity and Precariousness.
- Working Notes : Edmund de Waal : How the history of pottery and the philosophy of pottery has informed contemporary practice
- Research~Creation
- Dwelling Places : Raveningham Sculpture Trail.
- Alchemy at Raveningham Sculpture Trail.
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Russell Moreton.technicolorli: Hussein Chalayan Source: technicolorli
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Enmeshed space, working drawing with handwritten notes 2010, a photo by Russell Moreton on Flickr.
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Drawing, assemblage of lightness and weight. , a photo by Russell Moreton on Flickr.
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Russell Moreton : Experiments with materials. Part of a series of speculative drawings with objects, interested in bringing these elements into architectural forms and surfaces, maybe textures. Recent reading of “Natural History” which documents the exhibition “Archaeology of the mind ” which centres around the architectural practice of Herzog and de Meuron has prompted me…
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Russell Moreton : Spatial Practices.: Immaterial,traces of passage..
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Postcard from Kilquhanity #3, a photo by Russell Moreton on Flickr. Immateriality : Presence. Hybrid drawing and photogram taken from the jetty at Kilquhanity.
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As part of my residency I undertook to turn the space of a pottery into a “Camera (room) Obscura”. In this space I exposed directly the view gathered from “outside” onto photographic paper as a collage of interwoven documents. The cyanotype printing process was employed in field-studies using the sun to recording the movement of…
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Non Space 2008 (installation) – artreview.com.
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Dark Session’s : Shadowy speculations in the pottery. Kilquhanity 2011 – artreview.com. http://static.ning.com/socialnetworkmain/widgets/photo/slideshowplayer/slideshowplayer.swf?xn_version=3150304127 Find more artworks like this on artreview.com Silver gelatin prints from a “room obscura” set up at Kilquhanity, Scotland 2011 as part of “Back to Free school, Drawing out the Archive”.
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Drawings executed using field chalk and rust residues from obsolete iron car parts. Human form traced and referenced directly from life with a continuous drawn line. Working methods reflect an inquiry into the origins of painting through the myth, The Daughter of Butades. via Russell Moreton : Spatial Practices.: Artists studio exhibition 2007.Trace and indexical…
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