IMMATERIAL / REPETITION / SINGULARITY

ENCLOSURES / ITERATIONS / THINKING FORMS

MINIMALIST SPACES / INTERVALS, tuning objects to construct environments

Mediating the experience of LANDSCAPE

SITE / COLLAGE COMPONENTS working/walking, developing a creative spatial syntax COLOUR AS CONDUIT / PERCEPTUAL ENVIRONS / CRAFT MEDIA / IMPROVISATION PIERCED  DAPPLED NATURAL LIGHT

DIFFERENTIATED SHADOW / SURFACE

EXTRAORDINARY MATERIALS / TECTONICS AND TEXTILES INDEXICAL / GESTALT  VISUAL PERCEPTION

NETWORKS / RESOURCES / AGENCY for the potential of BUILDING SCAFFOLDS / GAUZE / POCHE solids of a building/architectural plan ABSENCES / INTERSECTIONS / GRIDS / MESHES / SPRAYS / MOTIFS ACTUALITY

Getting Lost, Walking whilst deep in thought/embodiment in the environment Between PLACE and SITE 

Walking creates its own feedback loop, The Journey, The Return,

The specific, Here and Now

Psychogeography, Dossier, Forensic Study, Inquiry.

Spatial Abstractions : Reflexivity on Reflection. Embodiment on Experiential Subjectivity

LANDSCAPES Constituted by creative practice

Walks as erasures, sedimentation, (Gardiner)

Quotidian/Everyday Interests, Complexities of Contemporary Life. Ambients, Phenomenas, Objects, Subjectivities,

Everyday aesthetics, heuristic practice,

RAVENINGHAM THEMES : Working Notes

The ‘exigencies’ of the situation at hand.

Tim Ingold, MAKING. Spatial Intelligence

New Futures for Architecture Leon van Schaik

Spatial intelligence builds our mental space. Sensing Spaces

Architecture Reimagined Oak-Framed Buildings

Rupert Newman Heidegger for Architects

Adam Sharr MAKING

ANTHROPOLOGY, ARCHAEOLOGY ART AND ARCHITECTURE

Tim Ingold

Touching objects, feeling materials

The Cathedral and the Laboratory

A Hut of One’s Own

Anne Cline

Solar Pavilion

Alison and Peter Smithson Architecture is not made with the brain

The Parallel of Art and Life

Aesthetics about Perception Poetics about Production

HERZOG & DEMEURON NATURAL HISTORY

My studio is a piece of architecture that is silent. Speculative Architecture

On The Aesthetics of Herzog & De Meuron

The Thinking Hand

Existential and Embodied Wisdom in Architecture

Juhani Pallasmaa

The Architecture of Natural Light Henry Plummer

Peter Zumthor

Hortus Conclusus Serpentine Gallery Pavilion

The Potentials of Spaces

The Theory and Practice of Scenography and Performance. Alison Oddey, Christine White

See Yourself Sensing Redefining Human Perception. Madeline Schwartzman

Collage and Architecture. Jennifer A. E. Shields

COLLAGE

Assembling Contemporary Art. Sally O’Reilly

Construction/Abstraction Body/Identity Environments/Geographies

Indexical

Absences

Actuality Immaterial Architectural Sensing Surfaces,

Textures

Dimensions, Sprays, Trace

Repetition, Empirical Experiences

Forms, Pavilion, Hut, Shelter, simple enclosure

Minimalist, tuning objects, sequences to construct/de-construct environments

Reflexive Surfaces into architectural presence

Art as indeterminate, able to arrest perceptions into different states/becomings

Site, undoing of place.

Gauze/Filtered Light/Phenomena

Gesture of the work, its situation,

Meshwork. The drawing grid, making of a proposition into space.

Cyan, Sky Blue, dappled light, membrane, responding to the weather/locality

AA Pavilion Project,

Its about learning through making, being involved in the process, the installation and its reception, dislocating contextual barriers.

Ephemeral Architectures, AA Document/Project, Prizeman

Immaterial Architecture : Waverley Pavilion Building The Drawing

The drawing as analogue allows more subtle relations, of technique, material and process, to develop between drawing and building.

Immaterial Architecture The Illegal Architect Jonathan Hill

Oak

Tree

Oil

Paper

Plaster

Rust

Sgratfito

Silence

Sound

Steel

Television

Weather

Frosted Light

Index of immaterial architectures

TRANSPARENCY : LITERAL AND PHENOMENAL Colin Rowe, Robert Slutzky

Interactions of the Abstract Body Josiah McElheny

Object Lesson

Interactive Abstract Body (Square) The Spatial Body (After Fontana)

Tracing Eisenman

Stan Allen

Indexical Characters FABRIC=MASS+ FORM

Alan Chandler

The interest in fabric formwork is in its deployment in a building process, which is faster than conventional formwork. Fabric formwork is inherently more sustainable due to the minimising of both concrete and shuttering, and more radically, allows the constructor to intervene in the process of casting even as the cast is taking place.

ANTI OBJECT Kengo Kuma

We are composed of matter and live in the midst of matter. Our objective should not be to renounce matter, but to search for a form of matter other than objects.

What that form is called- ARCHITECTURE, GARDENS< TECHNOLOGY is not important. ReThinking Matereriality

The engagement of mind with the material world. Elizabeth DeMarrais, Chris Gosden. Colin Renfrew

The Affordances of Things

Towards a Theory of Material Engagement Aesthetics, Intelligence and Emotions Relationality of Mind and Matter

Material Agency

Towards a Non-Anthropocentric Approach. Carl Knappett, Lambros Malafouris

At The Potter’s Wheel: An Argument for Material Agency

We should replace our view of cognition as residing inside the potter’s head, with that of cognition enacted at the potter’s wheel.

The Neglected Networks of Material Agency : Artefacts, Pictures and Texts

Material Agency as Cognitive Scaffolding

The Cognitive Life of Things

Material Engagement and the Extended Mind. Lambros Malafouris, Colin Renfrew

Minds, Things and Materiality Michael Wheeler

Communities of Things and Objects : A Spatial Perspective Carl Knappett

People make space, and space contains people
Imagining the Cognitive Life of Things Edwin Hutchins

Things and Their Embodied Environments Architectures for Perception

Structuring Perception through Material Artifacts Charles Goodwin

Leach Pottery, Studio and Museum A Potter’s Book

Bernard Leach

Adventures of the Fire, Vessels Through Time Ceramic Pavilion