Spatial Practices : Experimental drawing and alternative photography.

Category: Uncategorized

  • Drawing The Body/The Luminescence Of Space.  Outpost 230323 Drawing, depicting something found through the process of making visible. The Luminescence Of Space. An Archaeological Inquiry Into Drawing. Correspondences/Reclaiming the drawings. The Affect and Memory of Drawing. To interrogate ways of seeing/looking, John Berger.  The world of the creative practitioner promotes conditions, gestures and responses that…

  • An asperity of thoughts/Vibrant Matter : Braking Down/Diffracting/ The Apparatus of Reading/Research Bringing back vibrant matter into a world cluttered by images that are standing in for the redundancy of that experiential experience. Research as a discursive activity gathering new forms of expression. Duration, Steven Holl Building/Uncertainties into the explorations of making. Rem Koolhaas. .…

  • Slow Philosophy/Discursive Attachments : Gathering Materials/Objects/Things Research as a discursive activity gathering new forms of expression. Duration, Steven Holl Time is only understood in relation to a process or a phenomenon. The duration of human beings alive in one time and place is a relational notion. The time of one’s being is provisional; it is…

  • Selected Research : Hungate/Water : Historical Architectural Programming  Hungate Work In Progress 150323 On Constructing Creativity. Wondrous Engagements. Light/Substance/Ritual/Memory/Display https://www.flickr.com/photos/russellmoreton/ WATER Conduits of inquiry into the sacred and the secular, the spirit and the body. Cleansing Vessels. Piscina/Niche/Wall/Building Art/Archaeology Ritual/Display Corporeal/Spiritual Beuys, was involved in questions of form, material processes and social sculpture, he believed…

  • Working Collage : Marking the Line/Art, Architecture and Craft Narratives. Architecture, Nature and Subjectivity. Atmospheric ecologies/architecting through situated learning. Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an…

  • Spatiality/Spatial Agency/Light Laboratory : Literary and Visual Cartographies : Lightness,Quickness,Exactitude,Visibility,Multiplicity, https://www.flickr.com/photos/russellmoreton/ Spatial and Literal Cartographies. Lightness, Quickness, Exactitude, Visibility, Multiplicity, ItaloCalvino,  6 memos for the next millennium.  Russell Moreton  #alternative photography, exactitude, Italo Calvino, light laboratory, lightness, literary cartographies, multiplicity, quickness, Six Memos for the Next Millennium, Spatial Agency, visibility   spatial practice, alternative photography, fine art, ceramics,making, Source: Spatiality/Spatial Agency/Light Laboratory : Literary and…

  • Into Beautiful Privacy : The Blurring of Art and Life Essays on The Blurring of Art and Life, Allan Kaprow Kaprow_Allan_Essays_on_the_Blurring_of_Art_and_Life_with_Impurity_Experimental_Art_The_Meaning_of_Life_missing.pdf Architectural Inquiry :  Medieval Windows Architectural Inquiry : Archaeological Remains Immaterial Architecture : Waverley Pavilion https://www.flickr.com/photos/russellmoreton/ Building The Drawing The drawing as analogue allows more subtle relations, of technique, material and process, to develop…

  • CLAY : Letting the material speak for itself.  Clay/Fire/Space-Situatedness. An Exploratory Ceramic Based Inquiry. The Ways/Movements of Practice. Ceramics In The Environment. Clay, is always a working idea, a matter/material process between things, a form of thinking in process. https://www.flickr.com/photos/russellmoreton/ Crucible Bowls. 2020. Slab Facades. 2021. Rutile/Yellow Ochre/Red Iron Oxide/White Raku Slip/Transparent Raw Glaze. The…

  • Littoral Zones/Making Processes : Affect, an ecology of experience/Clay Work : Visceral Practices.  Momentum Wheel : Lucie Rie Installation. Clay/Ceramics as a concept to a way of thinking. Speculative Tectonics : A Poetic of Construction. The Clay can take to the mould and mould the clay. Simondon, took the essence of matter or the material…

  • Russell Moreton abstracts (Heuristic Fragments) Reflective Material #1 Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an image? — Jean Baudrillard, The Conspiracy of Art, 2005 A heuristic…