Category: Uncategorized

  • Molecular Sieve/Performative Apparatuses : CREATING CREATIVE ANTHROPOLOGY INTO TEMPORAL SITES/10 DAYS WINCHESTER Winchester – Hyde Abbey Laundry The site of approximately 1,500 sq. metres comprises redundant industrial buildings and a yard at the edge of the city centre and close to the Winchester School of Art. The site is considered to be important in townscape…

  • Melancholy Landscapes : The Plague/Vermilion Sands Film Collages, hybrid processes and temporal states Liminality : Literature/Philosophy/Visual Art Landscapes : entering/intruding/emerging (holga819) Existential Gestures : Looking away from the sea Ballard : Vermilion Sands  :  Speculative Fields/Spatial Practices Albert Camus : The Plague, 1947. (Penguin Fiction) The townspeople of Oran are in the grip of a…

  • Spatial Representation/Practice : Discursive photography and documentation The Poetics of Space : The house, from cellar to garret. The significance of the hut. “He will revive the primitivity and the specificity of the fears. In our civilization, which has the same light everywhere, and puts electricity in its cellars, we no longer go to the…

  • Seeing Dark Things : Chemical Photography.  Concept of a ‘Filtow’ A filtered radiance emanating from a vessel not an object interrupting a beam of light. Seeing Dark Things. Roy Sorensen. The thing contained is not the thing contained. The spherical intersection space was also crafted in curved thin wood layers. Steven Holl. Deep Time. The…

  • Confronting The Human Body : A Body Of Relations  Outpost 270423 Temporal Demarcations. Figural Workshop. Confronting The Human Body. The Psychology of Nakedness. Looking/Showing/The Eye/The Gaze. In the scopic field, the gaze is outside; I am looked at, that is to say, I am a  picture. The spectacle of the world, in this sense, appears…

  • Diffractive Title/Things : The thing contained is not the thing contained.  Outpost 240423 The thing contained is not the thing contained. Manifesto for explorations of ‘IN’ Steven Holl. You Are The Weather. Roni Horn. Rich Lyrical Motifs. Brilliant Trees. Within each lesson lies the price to learn. David Sylvian. Alternative Photography/Filtered Radiance Documents from research…

  • Exhibition/Intervention : The Sensitivities of The Physical Self  Outpost 130423 The Changing Culture of Display. How things work in museums. Body/Mind/Movement/Material/Craft Dynamics of Display inside The White Cube. Liminality of glass display cabinets, spatialities of object narratives, forms and materials. Artist as ‘interventionist’ in specific settings, such as collections and places of distinctive architecture. The…

  • The Social : Catching The Light/Architectural Apparatuses/Spatial Methodologies It would probably not be wrong to define the ex­treme phase of capitalist development in which we live as a massive accumulation and proliferation of apparatuses. To recapitulate, we have then two great classes: liv­ing beings (or substances) and apparatuses. And, be­ tween these two, as a…

  • Work : Filtered Light/Colour   https://www.flickr.com/photos/russellmoreton/ Brian Clarke The Art of Light/Paul Greenhalgh, 2018. Sainsbury Centre for Visual Arts Properties of Matter and Imagination FUSION OF PHYSICAL/METAPHYSICAL WORK : An Inquiry with Material Practice The poetics of glass as a super-cooled liquid. Molten Fluidity. An organic flux frozen for an instant. Chaos and order, flow…

  • The Creative Act : Energy/Abstractions from a dialectic between the poetic and the systematic.  Harleston 180423 Drawings/Concepts/Constructions are forms/movements of thought. Being mindful that materials can lead the way. Tony Cragg. Diffractive Documents Matters of Interest/Concern Pots are fashioned from clay, but its the hollow that makes the pot work. Tao Lao-Tzu The Brain Needs…