Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

about

Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

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Drawing Scripts : Light Sensitive Spaces. #1

February 28, 2014

Drawing Scripts : Light Sensitive Spaces. #1, a photo by Russell Moreton on Flickr. Working Notes/Scripted Drawing Contents/Space Page “Boundaries and junctions points are in the nature of things points of friction” Lefebvre, The Production of Space. The act of “blocking in” the dimensions of another space within the continuum of another can propose to…
Construction #4

February 21, 2014

Construction #4, a photo by Russell Moreton on Flickr.
Drawing Scripts : Light Sensitive Spaces. #2

February 21, 2014

Drawing Scripts : Light Sensitive Spaces. #2, a photo by Russell Moreton on Flickr. rhythmanalysis : Space, Time and Everyday Life. Lefebvre Jannis Kounellis Carlo Scarpa “Translates the painterly relationship of figure and ground into the space of real situations” The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne. Modern Art Oxford, 2004-2005.
Working Drawing/Collage : Structure and Spatial Design #1

February 19, 2014

Working Drawing/Collage : Structure and Spatial Design #1, a photo by Russell Moreton on Flickr.
Working Drawing/Collage : Structure and Spatial Design #10

February 19, 2014

Working Drawing/Collage : Structure and Spatial Design #10, a photo by Russell Moreton on Flickr.
Speculative vocational processes #11

February 19, 2014

Speculative vocational processes #11, a photo by Russell Moreton on Flickr. http://www.cargocollective.com/russellmoreton/#2436576/To-consid… have-to-wrench-it-apart-from-space-and-matter The Child in Time: Ian McEwan
Object Analysis : Ceramic Remains of Art and Agency 2.

February 13, 2014

Object Analysis : Ceramic Remains of Art and Agency 2., a photo by Russell Moreton on Flickr.
Core, Periphery and Semiperiphery : Spatial Drawings #4

February 12, 2014

Core, Periphery and Semiperiphery : Spatial Drawings #4, a photo by Russell Moreton on Flickr.
Warped Space.

February 7, 2014

Warped Space., a photo by Russell Moreton on Flickr. P6120006 MOV UK based Visual Artist using drawing and experimental photography to explore issues around embodiment. Interested in creating spatial charged architectural interventions using glass and ceramics as conductive and introspective spaces, surfaces and structures between buildings.
Assemblage on Lead,Cyanotype,Transparency and Drawing (8) Possible Worlds 2

February 3, 2014

Assemblage on Lead,Cyanotype,Transparency and Drawing (8) Possible Worlds 2, a photo by Russell Moreton on Flickr. Text Extract/Inclusion. “Pure Presence” The enchantment of modern life: attachments, crossings, and ethics : Jane Bennett 2001. It is a commonplace that the modern world cannot be experienced as enchanted–that the very concept of enchantment belongs to past ages…

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Category: Uncategorized