Category: Uncategorized

Palimpsest/Architectural Models/Formworks : Installation/Ceramic Forms/Sketchbooks   Painting Canvas/Formwork 3mx3m : Shelter/Sensing Place/Painting in the Landscape FABRIC DEVELOPMENTS = MASS + FORM Collected Notes : Raveningham Sculpture Trail 2020 Studio Blackboard ODYSSEY  Aesthetic Intervals/Timbre/Traces https://www.axisweb.org/p/russellmoreton/ Raveningham Architectural Canvas/Form Framed-Un-Framed Construction Sensing/Site  2020 Aesthetics between objects Fragments from note books Art Works, a constellation of coincidences/intuitions resting…

CARETAKING/INTERSPACES The Weird And The Eerie/fluctuating networks of existential events : Photographic pathologies of alterity RESEARCH METHODOLOGIES CRITICAL THEORY SPATIAL PRACTICES : CANTERBURY 2009 PERIPHERAL VISION : RELATIONALITY, ROBERT COOPER. I have quoted the entirety of this abstract, as its concise and articulate statement needs to be preserved as a fragment capable of reconstituting interest…

Hidden Curriculum/Assemblages : Synergies of creative practice “When building and art are jointly focused in joint search not of an image, but of a mood, they cannot fail to produce integrity, even if they don’t produce great art.” Brian Clarke, Glass In The Environment Conference, held at the RCA, London 1986. UCA Canterbury :  Postgraduate…

The Arts : The inherent finality of the human condition is concisely and eloquently measured and mapped. . Russell Moreton  Spatial Practices MA, UCA Canterbury. Visual artist who currently uses simple descriptive gestures and processes drawn directly from the human body. His practice continues to explore issues around “Spatiality” and the “Postmodern Human Condition.” The…

The origins of painting and the scepticism of drawing : Architectural surface for a place of study/studio Painting as an exploratory layered drawing for an architectural surface in a library a shadow or an eidolen, an image without substance OUTPOST Studio/Cyanotype Process Painting THE MYTH: PLINY THE ELDER : NATURAL HISTORY,translation H. Rackham 1952. BOOK…

Russell Moreton Axisweb: Contemporary Art UK Network : Alternative photographic photograms and collages for the CD artwork to promote the ambient music of Kontakte. Limited edition CD artwork, and booklet. Russell Moreton,  | Axisweb: Contemporary Art UK Network   Alternative photographic photograms and collages for the CD artwork to promote the ambient music of Kontakte.…

Architectures within the photographic process : Intermediary Surfaces of Information and Affect  AWKWARDNESS. I work from awkwardness, by that I mean I don’t arrange things. If I stand in front of something instead of arranging it. I arrange myself. Rem Koolhaas, S,M,L,XL. Working Practice Possible Strategies/Tools/Agents/Abstractions for “working sites” that occur within a site/field of…

Immaterial Architecture : Collage/Enumeration of Visual Information Immaterial Architecture : The Glass Observatory Site Drawing : Speculative Fields/Spatial Practices Site Writing/Place Making Collage/Enumeration of photographic elements Antique Glass Sample : Seedy Handblown Photograph of light, surface/shadow and projection Reading Room Research Collage   Immaterial Architecture : The Glass Observatory Site Drawing : Speculative Fields/Spatial Practices…

Performative Documentation : Time as both a structure and an event DID SOMEONE SAY PARTICIPATE? AN ATLAS OF SPATIAL PRACTICE. Edited by Markus Miessen and Shumon Basar A few notes relating to thoughts and critical theory around which I am beginning to formulate about my practice and its application as a site from which to…

Humanities : Spatial Relations/The Laboratory of Anthropology, Archaeology, Art and Architecture SENSORIUM  AND STILLNESS, MOVEMENT AND MIRROR A MIRROR ON WHAT IT IS TO BE HUMAN VISITORS : A film by Godfrey Reggio We have art so that we may not perish by the truth. Friedrich Nietzsche MEANING IN THE FORM OF THE FILM THE…