Spatial Practices : Experimental drawing and alternative photography.
recent posts
- Spatial/Diffractive Bodies Situated in Place : Matters of Fidelity and Precariousness.
- Working Notes : Edmund de Waal : How the history of pottery and the philosophy of pottery has informed contemporary practice
- Research~Creation
- Dwelling Places : Raveningham Sculpture Trail.
- Alchemy at Raveningham Sculpture Trail.
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Spatial Mediators and Intercessors : Creating Loops/Rhetorical Silences/Strange Tools Immaterial Architectures Painting/Form for Reading Spaces/Intervals Pattern and Chaos/Liminality/Tectonics Architectural surface for a Library, raw materials, light, silence and solitude. Christopher Wilmarth ; Poetics/Duality of Light and gravity Other Architecture Constructing Metaphysical Space Wilmarth’s art reveals his essential concern with the mystical and physical properties of…
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Dwelling/Reverberation/Poetics : Physical Grammar/Passages On The Experiential Level of Life Investigating/Expanding ‘The Spatial/Sculptural’ Space over Time/Operative Design Tony Cragg IN AND OUT OF MATERIAL Demonstration Tony Cragg : I basically mean the effectiveness of the object, of the material. But because the metaphysical and physical association are already occupied, I’m interested in somehow establishing some…
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Art as Experience : Interactions of Color/ Art as Experience, Josef Albers GLASS-COLOUR-LIGHT-INTERIOR-LANDSCAPE ART AS EXPERIENCE WHAT IS THE CAPACITY OF THE MATERIAL Josef Albers Life is change-day and night, cold and warm, sun and rain. It is more in-between the facts than the facts themselves. I believe it is now time to make a…
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Aesthetics of the Everyday : A Creative Human Praxis Working Praxis into Creative Research Clay, Paint, Matter/Everyday Landscapes The Subject Matter of Lived Experience The Potter’s wheel creates cognitive enactments (materiality) through encountering clay. The Heideggerian Roots of Everyday Aesthetics A Hermeneutical Approach to Art Cristian Hainic The mere aesthetic experience of understanding one’s being-in-the-world…
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Astronomical Mappings/Hybrid Musical Sources : Amorphous Analogue Photography : Star Trails/Earth Objects Amorphous Photography : Star Trails Inscriptions of Birth/Becoming : Poetics of Memory Side C 10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL Amorphous Photography : Star Trails Inscriptions of Birth/Becoming : Poetics of Memory Side C 10. Sola Gratia (Part…
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Objects and Traces/Map Reading : Visual Archaeology/Anthropology in Social Space The map fosters interpretation and exploration Inseparable Attendant : Place and Process Assemblage and blueprint : Site drawing/Leper Graves Drawing figure/ground, documentation of work in progress. Life “drawing” trace on paper with water and field chalk. Work submitted to Interfaith Group Show at the Link…
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Opening Collages : Ambiguous Borders Curatorial Practices The Alchemy of Building Collages/Inclusions : Creative Ecologies Yvonne Buchheim Wish you were here to trip up memory lane. Belfast 2000 http://www.acid.uwe.ac.uk/buchheim/belfast1.htm Alberto Perez-Gomez POLYPHILO or The Dark forest Revisited An Erotic Epiphany of Architecture Robert Mangold Sarah Purvey Landscape Series, Rhythm. 2012 Crank vessel with slips…
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Art practice/agents of a discursive social praxis : Building on Differentiated Data/Collage Folder Cover, The Thinking Hand TheThinking Hand: Existential and Embodied Wisdom in Architecture. Juhani Pallasmaa Frameworks with Enclosures Of the mason’s who built them, we can say that they both designed as they drew, and drew as they designed. But their designing, like…
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Atemwende, a breathturn : Adam Gopnik and Edmund de Waal Craft and Art, Skill and Anxiety. Craft is logic, and art defies it. The defiance is what makes art. The serenity of the artisan lies in her knowledge that it can all be done again. The anxiety of the artist; lies in knowing that if…
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Beyond Hylomorphism : Making/Spatial Agency and Social Spaces Through Building MAKING TIM INGOLD THE MATERIALS OF LIFE Consciousness, materials, image, object : the diagram I want to think of making, instead, as a process of growth. This is to place the maker from the outset as a participant in amongst a world of active materials.…