Making is the production of relations through material events.
What I think is emerging is an ontology of making.
The clay isn’t the subject.
The object isn’t the outcome.
Even process isn’t the central concern.
The central concern is relation.
Relation between body and matter.
Relation between force and resistance.
Relation between object and space.
Relation between time and form.
Relation between making and knowing.
Visual artist working in the UK.
UCA Farnham, Interior Design MA.
Canterbury School of Architecture, Spatial Practices MA.
University of Southampton, Visual Fine Art BA hons.
Epsom School of Art and Design, Ceramics HSND.
Postcard from Kilquhanity #4 on Flickr. The Pottery, now in use as a darkroom and camera obscura. (Source: http://www.flickr.com/photos/russellmoreton/5660758126/)
Fire escape,CCTV Installation Winchester. on Flickr. Non Spaces (Source: http://www.flickr.com/photos/russellmoreton/5162171256/)
Fragmented vessel of the body.2010 Raw clay and silica sand on Flickr. Augury Vessel 2010 (Source: http://www.flickr.com/photos/russellmoreton/4970219489/)
Rooms Reversed. on Flickr. Impressions Reversed. (Source: http://www.flickr.com/photos/russellmoreton/5731463480/)
Light Vestiges/Panspermia Exodus 2011 on Flickr. Pierced paper,memory as “marked” time (Source: http://www.flickr.com/photos/russellmoreton/5517957450/)
Pinhole Camera on Flickr. Time and motion,seamlessness . (Source: http://www.flickr.com/photos/russellmoreton/4134268798/)
pinhole camera, beer can. on Flickr. Light through a beer can. (Source: http://www.flickr.com/photos/russellmoreton/4144021218/)
Permeable/Bare: Collective Practices (focused). on Flickr. New Directions (Source: http://www.flickr.com/photos/russellmoreton/5749971728/)
Double Threshold. 2011 on Flickr. Digital manipulation from a life sized drawing with astronomical data. (Source: http://www.flickr.com/photos/russellmoreton/5672500262/)