Making is the production of relations through material events.
What I think is emerging is an ontology of making.
The clay isn’t the subject.
The object isn’t the outcome.
Even process isn’t the central concern.
The central concern is relation.
Relation between body and matter.
Relation between force and resistance.
Relation between object and space.
Relation between time and form.
Relation between making and knowing.
Visual artist working in the UK.
UCA Farnham, Interior Design MA.
Canterbury School of Architecture, Spatial Practices MA.
University of Southampton, Visual Fine Art BA hons.
Epsom School of Art and Design, Ceramics HSND.
Fire escape, CCTV Installation Winchester. on Flickr. Our passage through non-spaces (Source: http://www.flickr.com/photos/russellmoreton/5162175928/)
archimaps: Project for a monumental building, Académie des Beaux-Arts, Paris
Outline, human trace with raw materials gathered from a Jurassic coastline. . on Flickr. Archaeological Materials (Source: http://www.flickr.com/photos/russellmoreton/5450619098/)
Work on drying rack. on Flickr. Clay (Source: http://www.flickr.com/photos/russellmoreton/5635135312/)
wonderfulambiguity: Robert Asman, Evolving, 1990
Registering overlapping spaces #2 on Flickr. Russell Moreton.Spatial Practices MA , UCA Canterbury 2010 (Source: http://www.flickr.com/photos/russellmoreton/5010715353/)
Substance,presence and display 2010. on Flickr. Chalk Figure, drawing as ritual. (Source: http://www.flickr.com/photos/russellmoreton/4405801005/)
iceblack: jannis kounellis
Collage, deconstruction around spatial components. #1 on Flickr. Recent exhibition at re:Fresh youth cafe, Winchester,UK. (Source: http://www.flickr.com/photos/russellmoreton/5817290183/)
therhumboogie: Erin Endicott, these are all done on antique clothing, and are just so beautifully done and disguise the ruined areas of fabric. (Source: http://www.erinendicottart.com/gallery.html)