Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

Category: Uncategorized

  • The mobile working site on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5011334246/)

  • Registering overlapping spaces #1 on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5011321410/)

  • Gridshell on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5140291337/)

  • The pathos of things,frozen/transparent for 10 years (A Fearful Symmetry, Blake ) on Flickr. The library book (Source: http://www.flickr.com/photos/russellmoreton/5229526899/)

  • Ritual,fire and stone.Human Filament 2010 on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5231276816/)

  • Drawing on the snow, a field in Bramdean 05.12.2010. on Flickr.

  • wonderfulambiguity: Wolf Suschitzky, Nine Elms, London, 1955

  • archimaps: Intersection of the Three Branches of the Chicago River, Burnham’s Plan of Chicago, 1909 (Source: http://archimaps.tumblr.com/post/6035577953/intersection-of-the-three-branches-of-the-chicago)

  • heythereuniverse: A timeline of the entire universe. Click through to embiggen. Source (Source: http://www.okul8.com/work/okul8-Big-Bang-Timeline-IIB.png)

  • chaschva: The Ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. It often represents self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself.