Making is the production of relations through material events.
What I think is emerging is an ontology of making.
The clay isn’t the subject.
The object isn’t the outcome.
Even process isn’t the central concern.
The central concern is relation.
Relation between body and matter.
Relation between force and resistance.
Relation between object and space.
Relation between time and form.
Relation between making and knowing.
Visual artist working in the UK.
UCA Farnham, Interior Design MA.
Canterbury School of Architecture, Spatial Practices MA.
University of Southampton, Visual Fine Art BA hons.
Epsom School of Art and Design, Ceramics HSND.
The mobile working site on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5011334246/)
Registering overlapping spaces #1 on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5011321410/)
Gridshell on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5140291337/)
The pathos of things,frozen/transparent for 10 years (A Fearful Symmetry, Blake ) on Flickr. The library book (Source: http://www.flickr.com/photos/russellmoreton/5229526899/)
Ritual,fire and stone.Human Filament 2010 on Flickr. (Source: http://www.flickr.com/photos/russellmoreton/5231276816/)
Drawing on the snow, a field in Bramdean 05.12.2010. on Flickr.
wonderfulambiguity: Wolf Suschitzky, Nine Elms, London, 1955
archimaps: Intersection of the Three Branches of the Chicago River, Burnham’s Plan of Chicago, 1909 (Source: http://archimaps.tumblr.com/post/6035577953/intersection-of-the-three-branches-of-the-chicago)
heythereuniverse: A timeline of the entire universe. Click through to embiggen. Source (Source: http://www.okul8.com/work/okul8-Big-Bang-Timeline-IIB.png)
chaschva: The Ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. It often represents self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself.