Spatial Practices : Experimental drawing and alternative photography.

Inhabiting Intensified Surfaces through Minor Gestures.

Intensified Surfaces : Anthropocene Aesthetics : Ceramics and Environmental Engagement.

Clay+Ceramic : Minor Gestures~Interstitial space of emergent expression.

Clay: Transitive Forces of a Minor Key.

Clay Bodies : Ceramic Atmospheres.

The Ceramic Surface~interiority~Made From Clay. Interiors and their ‘interiority’ made from the intensity of fire to create ceramic surfaces and volumes constructed through the malleability of clay and water particles.

Clay+Ceramic : Complexity grounded in basic things. Inhabiting Building Places : Eartha+Ceramic.

These are mixed-media ceramic artworks by artist Russell Moreton, part of his “Clay/With Fire” exploratory research.
The works explore themes around “making” and the interconnectedness of interior spaces, using clay as the primary material.
The artist uses a site-based practice, where ideas evolve from the direct experience of working with the material.
The pieces are processual in nature, intended to demarcate and define space.
Moreton is interested in how craft, theory, art, and architecture can intersect.

Materialisms : Interstitial Attentionality

Collage~Spatial Bias

The image provided is an art collage incorporating diagrams and text snippets from the book Space and Place: The Perspective of Experience by geographer Yi-Fu Tuan. The artwork explores concepts of human spatial perception and time.
Key Concepts
Spatial Bias: The collage uses a specific diagram to illustrate that “Space projected from the body is biased toward the front and right”. This suggests a natural human tendency to perceive and prioritize space differently depending on its relation to our body’s orientation.
Time Perception: The diagram visually represents the future as “ahead and ‘up’” and the past as “behind and ‘below’,” linking spatial metaphors to human conceptions of time.
Art and Perception: The text “Ceramics a spatial sensitivity, forms governed by their vessel and void” suggests the artwork itself is a study in how form and negative space interact to create meaning, a common theme in art and design that explores kinaesthetic and multisensory perception.
This collage integrates geographical, psychological, and artistic ideas about how humans experience and structure their environment.

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