Category: Uncategorized
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Spatial Representation/Practice : Discursive photography and documentation The Poetics of Space : The house, from cellar to garret. The significance of the hut. “He will revive the primitivity and the specificity of the fears. In our civilization, which has the same light everywhere, and puts electricity in its cellars, we no longer go to the…
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Seeing Dark Things : Chemical Photography. Concept of a ‘Filtow’ A filtered radiance emanating from a vessel not an object interrupting a beam of light. Seeing Dark Things. Roy Sorensen. The thing contained is not the thing contained. The spherical intersection space was also crafted in curved thin wood layers. Steven Holl. Deep Time. The…
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Confronting The Human Body : A Body Of Relations Outpost 270423 Temporal Demarcations. Figural Workshop. Confronting The Human Body. The Psychology of Nakedness. Looking/Showing/The Eye/The Gaze. In the scopic field, the gaze is outside; I am looked at, that is to say, I am a picture. The spectacle of the world, in this sense, appears…
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Diffractive Title/Things : The thing contained is not the thing contained. Outpost 240423 The thing contained is not the thing contained. Manifesto for explorations of ‘IN’ Steven Holl. You Are The Weather. Roni Horn. Rich Lyrical Motifs. Brilliant Trees. Within each lesson lies the price to learn. David Sylvian. Alternative Photography/Filtered Radiance Documents from research…
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Exhibition/Intervention : The Sensitivities of The Physical Self Outpost 130423 The Changing Culture of Display. How things work in museums. Body/Mind/Movement/Material/Craft Dynamics of Display inside The White Cube. Liminality of glass display cabinets, spatialities of object narratives, forms and materials. Artist as ‘interventionist’ in specific settings, such as collections and places of distinctive architecture. The…
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The Social : Catching The Light/Architectural Apparatuses/Spatial Methodologies It would probably not be wrong to define the extreme phase of capitalist development in which we live as a massive accumulation and proliferation of apparatuses. To recapitulate, we have then two great classes: living beings (or substances) and apparatuses. And, be tween these two, as a…
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Work : Filtered Light/Colour https://www.flickr.com/photos/russellmoreton/ Brian Clarke The Art of Light/Paul Greenhalgh, 2018. Sainsbury Centre for Visual Arts Properties of Matter and Imagination FUSION OF PHYSICAL/METAPHYSICAL WORK : An Inquiry with Material Practice The poetics of glass as a super-cooled liquid. Molten Fluidity. An organic flux frozen for an instant. Chaos and order, flow…
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The creative act moves between what can be organised and what remains open. The poetic and the systematic are not necessarily opposites but different intensities of attention. Drawing becomes a place where gesture, structure, rhythm and intuition can meet, allowing thought to move before it becomes resolved. Perhaps creativity begins here—not with an idea imposed…
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Re-registering Overlapping Spaces Spaces are never encountered only once. Through presentation, ritual, repetition and movement, each encounter leaves another registration, another layer of memory and material presence. Space becomes something continually made and remade through bodies and their actions. Repetition does not reproduce the same situation; it alters it. The trace becomes a form of…
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Drawing Into the Human Form / The Architectural Body Drawing becomes a way of moving between bodies. The human body and the architectural body are not fixed forms but spaces of relation, scale, movement and inhabitation. Through drawing, gesture and trace, one body begins to enter another. The image becomes less a representation of space…
