Spatial Practices : Experimental drawing and alternative photography.
Category: Uncategorized
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Conversations on Making – Edmund De Waal and A S Byatt Posted by Russell Moreton at Monday, May 10, 2021 Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest Source: Conversations on Making – Edmund De Waal and A S Byatt
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Working Spaces/Six Memos : Sites of Inquiry and Dialogue/Investigative Thinking/Post Studio Every action happens in its own right and every action is an analogy of something else. What I do need be no more than what appears at the moment of the happening. Peter Brook, The Open Stage. BOUNDARIES AND JUNCTION POINTS ARE IN THE…
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Temporal Perspectives/Relationscapes : Urban Space and Place/Transactive Memory/Outpost Studio Norwich Movement : Art : Philosophy : all a movement of thought that moves a body. Erin Manning The Studio is no longer a retreat but it now integrates. It is all exterior. Ways of Curating, Hans Ulrich Obrist. 2014 Temporal Perspectives : Urban Space and…
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Space Folds/Melts : All that is solid melts into air : Metaphors of Memory : We exist constantly reciprocating between perceptions and relations All that is solid melts into air Armature : Memory/Personal Biographies The Everyday complexity of things Saturnian Form : Lead and Library Dates Spatiality : Space over Time Space folds :…
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Tentative Building/Building The Drawing : Speculative Architecture, landing sites of surface, image and texts. Building The Drawing The drawing as analogue allows more subtle relations, of technique, material and process, to develop between drawing and building. Immaterial Architecture The Illegal Architect Jonathan Hill Oak Tree Oil Paper Plaster Rust Sgratfito Silence Sound Steel Television Weather…
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Architectural Light : Drawing into the photographic process When you make photograms, without the use of a camera, you can indeed call that abstract photography, as the lens and the corresponding registration medium are lacking. No longer do you have pictures of reality or objects; you only have their shadows. It is a bit like…
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LIVING Intensity : FRONTIERS OF ARCHITECTURE, Kirosan Observatory/Anti-Object/Anthropology/Art Anti Object We are composed of matter and live in the midst of matter. Our objective should not be to renounce matter, but to search for a form of matter other than objects. What that form is called architecture, gardens, technology is not important. Kengo Kuma Procedural…
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Palimpsest/Architectural Models/Formworks : Installation/Ceramic Forms/Sketchbooks Painting Canvas/Formwork 3mx3m : Shelter/Sensing Place/Painting in the Landscape FABRIC DEVELOPMENTS = MASS + FORM Collected Notes : Raveningham Sculpture Trail 2020 Studio Blackboard ODYSSEY Aesthetic Intervals/Timbre/Traces https://www.axisweb.org/p/russellmoreton/ Raveningham Architectural Canvas/Form Framed-Un-Framed Construction Sensing/Site 2020 Aesthetics between objects Fragments from note books Art Works, a constellation of coincidences/intuitions resting…
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CARETAKING/INTERSPACES The Weird And The Eerie/fluctuating networks of existential events : Photographic pathologies of alterity RESEARCH METHODOLOGIES CRITICAL THEORY SPATIAL PRACTICES : CANTERBURY 2009 PERIPHERAL VISION : RELATIONALITY, ROBERT COOPER. I have quoted the entirety of this abstract, as its concise and articulate statement needs to be preserved as a fragment capable of reconstituting interest…
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Hidden Curriculum/Assemblages : Synergies of creative practice “When building and art are jointly focused in joint search not of an image, but of a mood, they cannot fail to produce integrity, even if they don’t produce great art.” Brian Clarke, Glass In The Environment Conference, held at the RCA, London 1986. UCA Canterbury : Postgraduate…