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Kengo Kuma, anti object, hut, poetics of shelter in the immediate environment Thinkers and Vessel Makers. Weaving the body into architecture Kengo Kuma Poetics as an evolving and discursive system of dialogues that acknowledges environmental changes, of other spatial narratives and histories, and things that are not just about place and space. ‘The phenomenology of…

Photographic Ruins/Mixtures and Dissolutions : Sontag, Tarkovsky, Barthes.  Ruins are buildings which have lost their function and have turned into instruments for measuring time. ROLAND BARTHES MYTHICAL SPEECH, LANGUAGE-OBJECT: PLINY THE ELDER: NATURAL HISTORY, translation H. Rackham 1952. BOOK 35 Origins of Painting (XXXV, 5). The question as to the origin of the art of…

Speculative Indexes of Agency : Template and Form/Enchantments and Insights between materials     THE BODY AS A TERRITORY IN RAW CLAY Developing Formative Histories/Indexical and Involuntary Markings Observational essay/account whilst work is resident in the Yard, Pastoral Space: Material, Inquiry and Craft Temporality. The state of existing within or having some relationship with time.…

Hiding Making Showing Creation : The Studio from Turner to Tacita Dean 2013, Academia post  Making : Tim Ingold The Materials Of Life Re-Shaping Learning You read the paper FROM IMAGE TO INTERACTION: MEANING AND AGENCY IN THE ARTS. A related paper is available on Academia. Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann (eds), Hiding Making, Showing…

Working Notes : Edmund de Waal : How the history of pottery and the philosophy of pottery has informed contemporary practice Working Notes: Edmund de Waal. Independent research for Studio Practice Theory and Analysis Why does Edmund de Waal make architectural interventions through the arrangement of porcelain pots? To what extent, if any is this…

Working with/into experiential perspectives : CHOREUTICS : Principles of Dynamic Space and Movement The Curse of the Contemporary Living in Spatial Times Instantaneity/depthlessness Doreen Massey, for space Making sites that matter : choreographing situated knowing in architectural analysis and design. Oren Lieberman Organism, Person, Environment :  Architectural Body Madeline Gins and Arakawa Space for Peace,…

Vessels of Retreat/Dark Pots : The Body and its Entanglements with Things/St Ninian’s Cave, Scotland. Vessels of Retreat : Dark Pots around the Innerness of Ceramics Curriculum making as the enactment of dwelling in places Thrown ceramic vessels fired on the remote beach at St Ninian’s Cave, Scotland.   These vessels were originally thrown on…

Spatial Agents/Local Materials : Kilquhanity Free School/The Yard and Link Gallery, Winchester. Camera Obscura : Kilquhanity 2011 Dark Session’s : Shadowy speculations in the pottery. Kilquhanity 2011 Silver gelatin prints from a “room obscura” set up at Kilquhanity, Scotland 2011 as part of “Back to Free school, Drawing out the Archive.” Thoughts relating to Spatial…

Drawing, a place of exchange : Social Mappings : Traces and Indexical Wanderings, containing the anticipation of loss  ART AS A CUSTODIAN WITHIN ARCHITECTURAL SPACE. INTERLOCUTOR between ART and ARCHITECTURE AS AN “OBSERVER” AS IN CONSTRUCTIVIST THEORY The evidence of this correspondence is fabricated in the situation and its attendant traces and material residues, the…

Anselm Kiefer in Conversation with Tim Marlow Posted by Russell Moreton at Monday, May 10, 2021   Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest Labels: Anselm Kiefer, architectural works, making, matter, paintings, RA, re-combining poetics, sensing place, speculative assemblages, studio, substance, Tim Marlow   Source: Anselm Kiefer in Conversation with Tim Marlow