Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

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about

Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

Hiding Making Showing Creation : The Studio from Turner to Tacita Dean 2013, Academia post

Hiding Making Showing Creation : The Studio from Turner to Tacita Dean 2013, Academia post

 Making : Tim Ingold

The Materials Of Life

Re-Shaping Learning

You read the paper FROM IMAGE TO INTERACTION: MEANING AND AGENCY IN THE ARTS. A related paper is available on Academia.
Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann (eds), Hiding Making, Showing Creation. The Studio from Turner to Tacita Dean, Amsterdam: AUP 2013
Paper Thumbnail
Author Photo Ann-Sophie Lehmann
2013
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Your recent reading history:
MEANWHILE/BECOMING: A POSTPHENOMENOLOGICAL POSITION EXPLORING VISION AND VISUALITY IN LANDSCAPE PHOTOGRAPHY – Jan Fyfe
FROM IMAGE TO INTERACTION: MEANING AND AGENCY IN THE ARTS – Arjen Mulder
Scripting the City: J. G. Ballard among the Architects – Duncan Bell
Rough Poetry: Patio and Pavilion Revisited – Ben Highmore
J. G. Ballard’s ‘Crash! A Science Theatre Presentation for the ICA’: The Context of a Document Newly Discovered – Chris Beckett
Memories of Catastrophes Yet to Come: New Brutalism and Thing-Memory – Ben Highmore
Violence and the Act of Reading JG Ballard – Richard Hayes
Marks and Remembrancers: Alison and Peter Smithson’s Architectural Memory – Ryan Johnston
The Enchantment of Modern Life: Attachments, Crossings, and Ethics. By Jane Bennett. Princeton, NJ: Princeton University Press, 2001. 213p. 55.00cloth, 17.95 Paper … – Kennan Ferguson
Retreating in / from art institutions – Heather Anderson

 

Making : Tim Ingold The Materials Of Life Re-Shaping Learning You read the paper  FROM IMAGE TO INTERACTION: MEANING AND AGENCY IN THE ARTS…

Source: Hiding Making Showing Creation : The Studio from Turner to Tacita Dean 2013, Academia post

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