Spatial Practices : Experimental drawing and alternative photography.
recent posts
- Spatial/Diffractive Bodies Situated in Place : Matters of Fidelity and Precariousness.
- Working Notes : Edmund de Waal : How the history of pottery and the philosophy of pottery has informed contemporary practice
- Research~Creation
- Dwelling Places : Raveningham Sculpture Trail.
- Alchemy at Raveningham Sculpture Trail.
about
Category: Uncategorized
-
Spatial/Diffractive Bodies Situated in Place : Matters of Fidelity and Precariousness. Bringing Things To Life. Creative entanglements in a world of materials. The Environment Without Objects. Tim Ingold. 2008 Intermediaries within the cyanotype process. Trace drawings on paper with organic and material from the built environment. Drawing/Making Processes. Architectural Body : Organism, Person, Environment.…
-
https://russellmoreton.blogspot.com Independent research for Studio Practice Theory and Analysis. UCA Farnham, MA Interiors. 2014. Why does Edmund de Waal make architectural interventions through the arrangement of porcelain pots? To what extent, if any is this Ceramist interested in the ability of the single pot to engender meaning? How is the “innerness” of pots that he…
-
Sensing Space. Architectural structure meets visual fine art, as a sculptural assemblage, a resting place created on-site; promoting an inquiry into making~inhabiting and feflexivity amongst a social event and the natural garden landscape. Evaluation IMMATERIAL ARCHITECTURES MAKING IN THE LANDSCAPE SCULPTURE TRAIL 2018 The House-sheds : Camping There’s more truth about a camp than a…
-
Raveningham Sculpture Trail 2025. Sensing Places : Towards an Alchemy of Thinking. This site based exploratory apparatus, part self assembly, and part crafted brings together components, materials and filtered light. Built around the involvement of making in the landscape, this event based intervention creates a fictional space articulated through the alchemy of built spaces that…
-
Interstitial Workings of Minor Gestures : Clay~Ceramic Conceptualising Environment(s) Continuity and Change. Slab built forms from clay slabs that have previously been drawn into and brush marked with slips. Assemble forms then divided into several spatial interiors. Piercings through the surface set up a circulation for light to enter into the interiors. Further firings and…
-
Composite assemblages developed around spaces, interiority and aesthetics. Year2024 MediumCeramic, Lead, Wood. Size190mmL x 230mmH x 80mmW 220mmL x 230mmH x 100mmW Water at Hungate. 2023 Hungate Architectural Explorations. Air/Place/Breath/Light/Architecture/Ritual/Social Space Cell-Court-Domain. Hungate Vessels, Architectural Explorations, 2023, Ceramic, 165mmW x 250mmH x 90mmD. Russell Moreton is a visual artist interested in gathering research and responding…
-
Spatial Bodies in Architectural and Contemporary Art. Exploratory Clay/Ceramic Based Inquiry. The material is just part of the vocabulary of meaning. Thinking Poetics : Architecture and Ceramics. Urns : Immersive Cells of Containment~Dissolution. In And Out Of Material. 2007. Tony Cragg. All our senses scan the space in front of us; the future, in both…
-
Curriculum Making : The Enactment of Dwelling in Places. What shall I do next? Tim Ingold Re-registering Overlapping Spaces Spatial Practices. UCA Canterbury. A diffractive methodology is a knowledge-making process. Liminality/Glass/Display/Presentation. How things work in art museums. Creative processes of presentation, a spatiality for narratives that can navigate the spaces between objects What shall…
-
Littoral Environments : Arts and Subjectivity (the making of things) Text Extract/Inclusion. “Pure Presence” The enchantment of modern life: attachments, crossings, and ethics : Jane Bennett 2001. It is a commonplace that the modern world cannot be experienced as enchanted–that the very concept of enchantment belongs to past ages of superstition. Jane Bennett challenges that…
russellmoreton.com 