Spatial Practices : Experimental drawing and alternative photography.

Category: Uncategorized

  • CLAY/WITH FIRE : Thinking Architecture/Exploratory Research/Vocabulary

    Spatial Bodies in Architectural and Contemporary Art. Exploratory Clay/Ceramic Based Inquiry. The material is just part of the vocabulary of meaning. Thinking Poetics : Architecture and Ceramics. Urns : Immersive Cells of Containment~Dissolution. In And Out Of Material. 2007. Tony Cragg. All our senses scan the space in front of us; the future, in both…

  • Curriculum Making : The Enactment of Dwelling in Places.

    Curriculum Making : The Enactment of Dwelling in Places.   What shall I do next? Tim Ingold Re-registering Overlapping Spaces Spatial Practices. UCA Canterbury. A diffractive methodology is a knowledge-making process. Liminality/Glass/Display/Presentation. How things work in art museums. Creative processes of presentation, a spatiality for narratives that can navigate the spaces between objects What shall…

  • Littoral Environments : The Interplay of Ethics and Aesthetics.

    Littoral Environments : Arts and Subjectivity (the making of things) Text Extract/Inclusion. “Pure Presence” The enchantment of modern life: attachments, crossings, and ethics : Jane Bennett 2001. It is a commonplace that the modern world cannot be experienced as enchanted–that the very concept of enchantment belongs to past ages of superstition. Jane Bennett challenges that…

  • Creative Ecologies : Clay/Fire/Space-Situatedness.

    Creative Ecologies : Clay/Fire/Space-Situatedness.  Clay/Fire/Space-Situatedness. An Exploratory Ceramic Based Inquiry. https://www.flickr.com/photos/russellmoreton/ The House is all about the poetry of shelter and siege from the elements and cosmos. Gaston Bachelard. Volume And Space. Alberto Giacometti’s sculpture, ‘Man Pointing,’ is an important statement in Western art for many reasons, not the least of which is what it…

  • Art and Architecture : a place between, Jane Rendell, Peter Greenaway, Intertextuality/Transparency

    Art and Architecture : a place between, Jane Rendell, Peter Greenaway, Intertextuality/Transparency  OPEN TEXTS. Allow readers to have multiple interpretations, they allow for the possibility of  “determinations”. Intertextuality fundamental concept “that no text much as it might like to appear so, is original and unique in itself. Rather it is a tissue of the inevitable…

  • Ceramics a spatial sensitivity, forms governed by their vessel and void.

    Hans Coper : Pots that are ‘Worlding’ in that that they situate a certain fidelity, a willingness to survive and endure. Hans Coper : Potter, “the experience of existence” CRAFTS STUDY CENTRE. FARNHAM, SURREY. UK RUSSELL MORETON 2014. “I become part of the process, I am learning to operate a sensitive instrument which may be…

  • A humble, passive, somewhat absurd object, yet potent, mysterious, sensuous : Hans Coper

    A humble, passive, somewhat absurd object, yet potent, mysterious, sensuous : Hans Coper Hans Coper, Theory and Object Analysis, Crafts Study Centre, Farnham. MA Interior Design A vessel (as membrane/threshold that can hold social rituals/traditions and memories) seems to occupy space but simultaneously be occupied by space. Theories of relativity and uncertainty have shown that…

  • Seeing Dark Things : Chemical Photography/Images from the darkroom.

    Seeing Dark Things : Chemical Photography/Images from the darkroom. Concept of a ‘Filtow’ A filtered radiance emanating from a vessel not an object interrupting a beam of light. Seeing Dark Things. Roy Sorensen.   The thing contained is not the thing contained. The spherical intersection space was also crafted in curved thin wood layers. Steven…

  • Exploring the Connection Between Ceramics and Space

    The Trace and its Connector/Ceramics, drawing and walking/wayfaring with things.  Outpost 040523 Anecdote of the Jar  I placed a jar in Tennessee,  And round it was, upon a hill.  It made the slovenly wilderness  Surround that hill.  The wilderness rose up to it,  And sprawled around, no longer wild.  The jar was round upon the…