Interstitial Workings of Minor Gestures : Clay~Ceramic

Conceptualising Environment(s) Continuity and Change.

Slab built forms from clay slabs that have previously been drawn into and brush marked with slips. Assemble forms then divided into several spatial interiors. Piercings through the surface set up a circulation for light to enter into the interiors. Further firings and more ceramic coatings are applied to further investigate the involuntary relationships that have emerged. These objects are unknowable as they are extracted from the kiln, and as such they act as forms that can take on a theoretical nature, gathering my discursive researches and readings into a performative spatial body.

Year
2025

Medium
Ceramic

Size
240mmL x 270mmH x 70mmW.

AI Overview
These are likely ceramic or mixed media architectural art pieces by artist Russell Moreton.
The artist is known for exploring themes around “making” and the metaphysical immersive nature of materials, often using clay as a primary medium.
The works investigate the interconnectedness of making interior spaces.
The raw, distressed appearance suggests an interest in material vocabulary and process-based inquiry.
The pieces are potentially part of an exploratory research project titled “CLAY/WITH FIRE : Thinking Architecture/Exploratory Research/Vocabulary”.

These are untitled clay and mixed media artworks by British visual artist Russell Moreton.
The pieces are part of his exploratory research into “Spatial Bodies” and “Thinking Architecture”.
The artist uses materials to explore a sense of place and time, with the act of drawing adding a performative element.
The work often involves layers that peel and reveal their own histories, like those seen on the surfaces of these pieces.
Moreton’s practice investigates the interconnectedness of making interior spaces.

Exploring Continuity and Change in Ceramic Art
This title highlights key themes in the artwork, aiding in search visibility for art enthusiasts.

Russell Moreton’s Spatial Bodies: A Ceramic Journey
Focusing on the artist’s name and key concepts enhances recognition and targeted search traffic.

The Metaphysical Nature of Clay in Architecture
Emphasizing the metaphysical aspects attracts a niche audience interested in art theory and materials.

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The image provided is an art collage incorporating diagrams and text snippets from the book Space and Place: The Perspective of Experience by geographer Yi-Fu Tuan. The artwork explores concepts of human spatial perception and time.
Key Concepts
Spatial Bias: The collage uses a specific diagram to illustrate that “Space projected from the body is biased toward the front and right”. This suggests a natural human tendency to perceive and prioritize space differently depending on its relation to our body’s orientation.
Time Perception: The diagram visually represents the future as “ahead and ‘up’” and the past as “behind and ‘below’,” linking spatial metaphors to human conceptions of time.
Art and Perception: The text “Ceramics a spatial sensitivity, forms governed by their vessel and void” suggests the artwork itself is a study in how form and negative space interact to create meaning, a common theme in art and design that explores kinaesthetic and multisensory perception.
This collage integrates geographical, psychological, and artistic ideas about how humans experience and structure their environment.