Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

Architectural Interiors : Collage and Photography

(For architecture) to become highly human it must represent not only the beautiful action of the space, but above all that of time. For this matter the most refined art, the most difficult and dangerous, is that of patina.
Luis Barragan

Red Wall/Pace Gallery London 2014
Robert Mangold

Waverley Project/Research Collage
Design based photogram
Russell Moreton

Speculative Drawings : Becoming Spatial/Figural

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Social apparatuses and agents that explore the possibilities of space. Other Worlds : Insistent moments of mark making/subjectivity.

Source: Architectural Interiors : Collage and Photography

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