Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

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Making is the production of relations through material events. What I think is emerging is an ontology of making. The clay isn’t the subject. The object isn’t the outcome. Even process isn’t the central concern. The central concern is relation. Relation between body and matter. Relation between force and resistance. Relation between object and space. Relation between time and form. Relation between making and knowing. Visual artist working in the UK. UCA Farnham, Interior Design MA. Canterbury School of Architecture, Spatial Practices MA. University of Southampton, Visual Fine Art BA hons. Epsom School of Art and Design, Ceramics HSND.

Remote Sensing : Anthropology,Natural History,River and Abbey,

Experimental Vision : Research Collage #1 by Russell Moreton
Via Flickr:
Body, Personal Relations, and Spatial Values. Composition, Concept, Object. Space is an abstract term for a complex set of ideas. The photogram is the immediate result of a constellation of light, three-dimensional object and photosensitive material. Experimental Vision FROM BEYOND VISION Photograms Flouris M. Neusus Work in the light laboratory was a standard part of the curriculum. The photogram became a functional element of a personal time curve, allowing the artist to continually endeavour to see or put phenomena into new relations. Moholy-Nagy and the Chicago Bauhaus Thomas Barrow THE COLOUR OF TIME Garry Fabian Miller The Majesty of Darkness Adam Nicolson The Unmade The Pregnant The Half Erotically Unmade ADYNATA- Time’s Colour, impossible Beauty Marina Warner TIME AND LIGHT Nigel Warburton TRACING LIGHT David Alan Mellor Garry Fabian Miller Derrida Blindness Butades Trace and Trait Karl Blossfeldt WORKING COLLAGES

 

Source: Remote Sensing : Anthropology,Natural History,River and Abbey,

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