Russell Moreton : Matter(s) in Correspondence

Spatial practices of clay, ceramic, drawing, bodies, places and making.

Spatial Practice

Architecture, sites, spatial situations, bodies, inhabitation, installations, spatial propositions.

Ceramic Bodies

Clay, ceramic sculpture, vessels, apertures, surfaces, firing, ceramic interiors, ceramic atmospheres.

Drawing / Image

Drawing, cyanotype, photography, diagram, mapping, collage, visual experiments.

Interiority / Atmosphere

Bachelard, refuge, reverie, innerness, thresholds, chambers, light, shadow, atmosphere, sensing.

Making / Materiality

Studio practice, making, material resistance, gesture, process, firing, construction, surface, force.

Research / Working Texts

Reading, theoretical writing, notes, research propositions, older texts being re-entered, speculative learning.

Joseph Beuys : Table with Accumulator 1958-85

In this work, an accumulator – a kind of rechargeable battery in which energy can be stored – is attached by wires to two pieces of clay, as if drawing power from the earth itself. For Beuys, the production and storage of energy was a metaphor for the creative and spiritual energy that he wanted to foster both in the individual viewer and in society as a whole. This was one of the works that Beuys included in the 1982 Zeitgeist exhibition, accompanying the various elements of Lightning with Stag in its Glare.

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