Spatial Practices : Experimental drawing and alternative photography.
recent posts
- Volatile Readings~Everyday Enchantments : Biosphere Projects. 2012-2022
- On the Inner Life of Things : Painterly Dissolutions~Emulsions~Viscous Light.
- Humanise : Building Interior Places/Gatherings On Care.
- Bachelard Readings~Reverberations of Refuge/Reverie.
- Oceanic Metaphors~An Interpenetrated Meshwork
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Collage: Diversions, Contradictions and Anomalies. Collage’s integral methods of discordance and displacement have so insistently reflecte… Source: Collage: Diversions, Contradictions and Anomalies.
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Folder Cover, The Thinking Hand TheThinking Hand: Existential and Embodied Wisdom in Architecture. Juhani Pallasmaa Frameworks with En… Source: Collage : Building on Differentiated Data
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In this essay Totaro analyzes the unique thematic and aesthetic import of Tarkovsky’s use of nature. Source: Nature as “Comfort Zone” in the Films of Andrei Tarkovsky
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Analysis of data drawn from a-n’s Jobs and opps site over the calendar year of 2016 along with commentary on the current conditions for artists’ practice in the UK. Source: Artists work in 2016 – a-n The Artists Information Company
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Open Systems/Speculative,Dynamic, Creative. An assemblage/energy of images,collage, drawing and texts and other disparate elements. Source: Making/Photography/Process and Aesthetics Saturday, 7 October 2017 Making/Photography/Process and Aesthetics Found Objects : Archaeological Photogram When you make photograms, without the use of a camera, you can indeed call that abstract photography, as the lens and the corresponding registration medium…
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Foreword. The author feels that perhaps some explanation is due to the reader for the rather unusual employment of the wor… Source: In Defence of Sensuality : John Cowper Powys 1930. The author feels that perhaps some explanation is due to the reader for the rather unusual employment of the word “Sensuality” which serves…
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Source: Reading Spaces/Tracing Light and The Illustrated Man Posted by Russell Moreton at Sunday, May 28, 2017 Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest https://apis.google.com/u/0/se/0/_/+1/fastbutton?usegapi=1&source=blogger%3Ablog%3Aplusone&size=medium&width=300&annotation=inline&hl=en_GB&origin=https%3A%2F%2Frussellmoreton.blogspot.co.uk&url=http%3A%2F%2Frussellmoreton.blogspot.com%2F2017%2F05%2Freading-spacestracing-light-and.html&gsrc=3p&jsh=m%3B%2F_%2Fscs%2Fapps-static%2F_%2Fjs%2Fk%3Doz.gapi.en_GB.VvUWfmiwl2U.O%2Fm%3D__features__%2Fam%3DAQ%2Frt%3Dj%2Fd%3D1%2Frs%3DAGLTcCMira02khMde7Sun1Du30KX3dt_7w#_methods=onPlusOne%2C_ready%2C_close%2C_open%2C_resizeMe%2C_renderstart%2Concircled%2Cdrefresh%2Cerefresh&id=I1_1496605601926&parent=https%3A%2F%2Frussellmoreton.blogspot.co.uk&pfname=&rpctoken=26583503 Labels: #russell moreton, Christopher Bucklow, David Alan Mellor, Francesca Woodman, Garry Fabian Miller,Jeanette Winterson, John Milton, Milan Kundera, Ray Bradbury, Roberto de Vicq de Cumptich https://apis.google.com/u/0/_/widget/render/comments?usegapi=1&href=https%3A%2F%2Frussellmoreton.blogspot.co.uk%2F2017%2F05%2Freading-spacestracing-light-and.html&query=http%3A%2F%2Frussellmoreton.blogspot.com%2F2017%2F05%2Freading-spacestracing-light-and.html&first_party_property=BLOGGER&legacy_comment_moderation_url=https%3A%2F%2Fwww.blogger.com%2Fmoderate-legacy-comment.g%3FblogID%3D296642634159779263&view_type=FILTERED_POSTMOD&width=570&hl=en-GB&origin=https%3A%2F%2Frussellmoreton.blogspot.co.uk&search=&hash=&gsrc=3p&jsh=m%3B%2F_%2Fscs%2Fapps-static%2F_%2Fjs%2Fk%3Doz.gapi.en_GB.VvUWfmiwl2U.O%2Fm%3D__features__%2Fam%3DAQ%2Frt%3Dj%2Fd%3D1%2Frs%3DAGLTcCMira02khMde7Sun1Du30KX3dt_7w#_methods=onPlusOne%2C_ready%2C_close%2C_open%2C_resizeMe%2C_renderstart%2Concircled%2Cdrefresh%2Cerefresh%2Cscroll%2Copenwindow&id=I0_1496605602523&parent=https%3A%2F%2Frussellmoreton.blogspot.co.uk&pfname=&rpctoken=42453404
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An assemblage of images,collage, drawing and texts and other disparate elements. Source: Life Drawing : An Emotional History Humanity : An Emotional History Stuart Walton. 2004 Fear Anger Disgust Sadness Jealousy Contempt Shame Embarrassment Surprise Happiness Oxford Dictionary of Geography: spatiality The effect that space has on actions, interactions, entities, concepts, and theories. Physical spatiality…
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Contemporary artists aim to produce specific relations with the technologies they adopt and adapt; This schematic offers a partial taxonomy. Caroline A. Jones, Sensorium : Embodied Experience, Technology and Contemporary Art 2006 Immersive the “cave” paradigm, the virtual helmet, the black-box video, the earphone set Alienated taking technology and “making it strange,” exaggerating attributes…
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An assemblage of images,collage, drawing and texts and other disparate elements. Source: Krishnamurti – Freedom From The Mental Progamming