On the nature of photography

Alternative Photographic Processes

MOLECULAR SIEVE, is a performative analysis of “this place” utilising the simple properties of the pinhole camera. This appropriated apparatus makes visible the extrusive nature of time as it is deposited on the photographic surface. The extended durations required to register “place” impart a sense of dwelling as recorded by the apparatuses passive gaze. These surfaces record and register a relation constructed by the architecture of the chamber and what is beyond it. Movements when visible appear as simple abbreviated enactments caught like inclusions within this consolidated and timely consolation of place.

Contexts:

Community , Conference / Symposium , Socially Engaged

Artforms:

Performance , Architecture , Photography , Installation

Tags:

10 Days Winchester, pinhole photography, creative arts research,

spatial practices, social apparatuses, event, fallow site

Film based inquiry into analogue based darkroom processes and timed intervals of exposures.

Work staged within the initial developing spaces for 10 days in the laundry, Winchester.

Contexts:

Community , Public art

Artforms:

Performance , Installation , Photography

Tags:

10 Days in the Laundry, Winchester, fallow site, analogue, pinhole camera, daylight, interior, semblances, exploratory, documentation, agency

Camera obscura

Liquid Light Emulsion

Photograms

Analogue and Digital Hybrid Printing

Cyanotypes

Pinhole Cameras

alternative photographic processes, liquid light, photograms,

textual, light writing, collage, experimental, analogue, filmic,

KONTAKTE : THESE MACHINES

Alternative photographic photograms and collages for the CD artwork

to promote the ambient music of Kontakte.

Limited edition CD artwork, and booklet.

Contexts:

Commission , Design , Public art

Artforms:

Book works , Illustration , Photography

Tags:

KONTAKTE, ambient music, CD artwork, alternative photography, photograms, collage, These Machines, Nuclear Winter