Category: Uncategorized

  • As part of my residency I undertook to turn the space of a pottery into a “Camera (room) Obscura”. In this space I exposed directly the view gathered from “outside” onto photographic paper as a collage of interwoven documents. The cyanotype printing process was employed in  field-studies using the sun to recording the movement of…

  • curatingwomen: THE TOMB OF THE UNKNOWN CRAFTSMAN CURATED BY GRAYSON PERRY // THE BRITISH MUSEUM It has taken me too long to see this exhibition, the critics have raved about it, my friends… a mixed review. So despite a general wariness I knew I was going to be intrigued, at least due to the unusual…

  • curatingwomen: ROTHKO IN BRITAIN // WHITECHAPEL GALLERY I am always excited by the Gallery 4 / Foyle Reading Room exhibitions at The Whitechapel Gallery. Utilising the gallery’s extensive archives self-conscious ‘meta exhibitions’ (an exhibition about an exhibition) analyse the impact of past Whitechapel shows in terms of their engagement with the surrounding community, broader public…

  • The Garden.Document on the building of an inquiry. #1 on Flickr. The Garden of Sensory Experimentation (Source: http://www.flickr.com/photos/russellmoreton/5785708499/)

  • Panspermia Exodus 2011 on Flickr. Material Memory. Piercings and Imprints (Source: http://www.flickr.com/photos/russellmoreton/5517957450/)

  • Space for Peace 2011, a set on Flickr. I use a combination of drawing/mapping processes to gain some sense of involvement with the place and its situation. I find these aerial tracings speak to me of a value beyond the confines of an architecture or a society. Russell Moreton, artists statement 2012 via russellmoreton.blogspot.com

  • Space for Peace 2011, a set on Flickr. I use a combination of drawing/mapping processes to gain some sense of involvement with the place and its situation. I find these aerial tracings speak to me of a value beyond the confines of an architecture or a society. Russell Moreton, artists statement 2012 Space for Peace…

  • Inseparable Attendant, with drawings.2011 on Flickr. Tom Petty,Something good coming (Source: http://www.flickr.com/photos/russellmoreton/5422228833/)

  • Space for Peace 2011, a set on Flickr. I use a combination of drawing/mapping processes to gain some sense of involvement with the place and its situation. I find these aerial tracings speak to me of a value beyond the confines of an architecture or a society. Russell Moreton, artists statement 2012 via russellmoreton.blogspot.com